High-definition television (HDTV) is a digital television broadcasting system with a significantly higher resolution than traditional formats (NTSC, SECAM, PAL). While some early analog HDTV formats were broadcast in Europe and Japan, HDTV is usually broadcast digitally, because digital television (DTV) broadcasting requires much less bandwidth. HDTV technology was first introduced in the US during the 1990s by a group of electronics companies called the Digital HDTV Grand Alliance

History
High-Definition television was first developed by Nippon Hoso Kyokai, and was unveiled in 1969

Though the system did not become mainstream until the late 1990s.
In the early 2000s, a number of high-definition television standards were competing for the still-developing niche markets.

Current HDTV standards are defined by the International Telecommunication Union (ITU-R BT.709) as 1080 active interlace or progressive scan lines, or 720 progressive scan lines, using a 16:9 aspect ratio. All current HDTV broadcasting standards are encompassed within the DVB specification.

HDTV is also capable of "theater-quality" audio because it uses the Dolby Digital (AC-3) format to support "5.1" surround sound. It should be noted that while HDTV is more like a theater in quality than conventional television, 35mm and 70mm film projectors used in theaters still have the highest resolution and best viewing quality on very large screens. Many HDTV programs are produced from movies on film as well as content shot in HD video.

The term "high-definition" can refer to the resolution specifications themselves, or more loosely to media capable of similar sharpness, such as photographic film. As of 2007, 24 million US households have HDTVs. However, only half are set up to actually receive HDTV programming[4] as some consumers are not aware that they must get special receivers to get HDTV from cable, or use HDTV tuners to receive over-the-air broadcasts, and some are planning to use it in the future.

HDTV signal reception
The rise in popularity of large screens and projectors has made the limitations of conventional Standard Definition TV (SDTV) increasingly evident. An HDTV compatible television set will not improve the quality of SDTV channels. To get a better picture HDTV televisions require a High Definition (HD) signal. Typical sources of HD signals are as follows:

• Over the air with an antenna. Most cities in the US with major network affiliates broadcast over the air in HD. To receive this signal an HD tuner is required. Most newer HDTV televisions have a HD tuner built in. For HDTV televisions without a built in HD tuner, a separate set-top HD tuner box can be purchased.
• Cable television companies often offer HDTV broadcasts as part of their digital broadcast service. This is usually done with a set-top box or CableCARD issued by the cable company. Alternatively one can usually get the network HDTV channels for free with basic cable by using a QAM tuner built into their HDTV or set-top box. Some cable carriers also offer HDTV on-demand playback of movies and commonly viewed shows.
• Satellite-based TV companies, such as Optimum, DirecTV, Sky Digital (In the UK and Ireland) and Dish Network, offer HDTV to customers as an upgrade. New satellite receiver boxes and a new satellite dish are often required to receive HD content.
• Video game systems, such as the Xbox (NTSC only), Xbox 360 and Playstation 3, can output an HD signal.
• Two optical disc standards, Blu-ray and HD DVD, can provide an HD signal.

Notation
In the context of HDTV, the formats of the broadcasts are referred to using a notation describing:

• The number of lines in the vertical display resolution.
• Whether progressive scan (p) or interlaced scan (i) are used. Progressive scan redraws all the lines (a frame) of a picture in each refresh. Interlaced scan redraws every second line (a field) in one refresh and the remaining lines in a second refresh. Interlaced scan increases picture resolution while saving bandwidth but at the expense of some flicker or other artifacts.
• The number of frames or fields per second.

The format 720p60 is 1280 × 720 pixels, progressive encoding with 60 frames per second (60 Hz). The format 1080i50 is 1920 × 1080 pixels, interlaced encoding with 50 fields (25 frames) per second. Often the frame or field rate is left out, indicating only the resolution and type of the frames or fields, and leading to confusion [5]. Sometimes the rate is to be inferred from the context, in which case it can usually be assumed to be either 50 or 60, except for 1080p which is often used to denote either 1080p24, 1080p25 or 1080p30 at present but will also denote 1080p50 and 1080p60 in the future.

A frame or field rate can also be specified without a resolution. For example 24p means 24 progressive scan frames per second and 50i means 25 interlaced frames per second, consisting of 50 interlaced fields per second. Most HDTV systems support some standard resolutions and frame or field rates. The most common are noted below.

Changes in notation
The terminology described above was invented for digital systems in the 1990s. A digital signal encodes the color of each pixel, or dot on the screen as a series of numbers. Before that, analog TV signals encoded values for one monochrome, or 3 color signals as they scanned a screen continuously from line to line. By comparision, radio encodes an analog signal of the sound to be sent to an amplified speaker, typically up to 20KHz, but video signals are in the MHz range, which is why they are much higher in the broadcast spectrum than audio radio. Analog video signals have no true "pixels" to measure horizontal resolution. The vertical scan-line count included off-screen scan lines with no picture information while the CRT beam returned to the top of the screen to begin another field. Thus NTSC was considered to have "525 lines" even though only 486 of them had a picture (625/576 for PAL). Similarly the Japanese MUSE system was called "1125 line", but is only 1035i by today's measuring standards. This change was made because digital systems have no need of blank retrace lines unless the signal was converted to analog to drive a CRT.

Standard resolutions

When resolution is considered, both the resolution of the transmitted signal and the (native) displayed resolution of a TV set are taken into account. Digital NTSC- and PAL/SECAM-like signals (480i60 and 576i50 respectively) are transmitted at a horizontal resolution of 720 or 704 "pixels". However these transmitted DTV "pixels" are not square, and have to be stretched for correct viewing. PAL TV sets with an aspect ratio of 4:3 use a fixed pixel grid of 768 × 576 or 720 × 540; with an aspect ratio of 16:9 they use 1440 x 768, 1024 × 576 or 960 × 540; NTSC ones use 640 × 480 and 852 × 480 or, seldom, 720 × 540. High Definition usually refers to one million pixels or more.

In Australia, the 576p50 format is also considered a HDTV format, as it has doubled temporal resolution though the use of progressive scanning. Thus, a number of Australian networks broadcast a 576p signal as their High-definition DVB-T signal, while others use the more conventional 720p and 1080i formats. Technically, however, the 576p format is defined as Enhanced-definition television.

Comparison with SDTV
HDTV has at least twice the linear resolution of standard-definition television (SDTV), thus allowing much more detail to be shown compared with analog television or regular DVD. In addition, the technical standards for broadcasting HDTV are also able to handle 16:9 aspect ratio pictures without using letterboxing or anamorphic stretching, thus further increasing the effective resolution for such content.

Advantages of HDTV expressed in nonengineering terms
High-definition television (HDTV) potentially offers a much better picture quality than standard television. HD's greater clarity means the picture on screen can be less blurred and less fuzzy. HD also brings other benefits such as smoother motion, richer and more natural colors, surround sound, and the ability to allow a variety of input devices to work together. However, there are a variety of reasons why the best HD quality is not usually achieved. The main problem is a lack of HD input. Many cable and satellite channels and even some "high definition" channels, are not broadcast in true HD. Also, image quality may be lost if the television is not properly connected to the input device or not properly configured for the input's optimal performance.

Almost all commercially available HD is digital, so the system cannot produce a snowy or washed out image from a weak signal, effects from signal interference, such as herringbone patterns, or vertical rolling. HD digital signals will either deliver an excellent picture, a picture with noticeable pixelation, a series of still pictures, or no picture at all. Any interference will render the signal unwatchable. As opposed to a lower-quality signal one gets from interference in an analogue television broadcast, interference in a digital television broadcast will freeze, skip, or display "garbage" information.

With HDTV the lack of imperfections in the television screen often seen on traditional television is another reason why many prefer high definition to analog. As mentioned, problems such as snow caused from a weak signal, double images from ghosting or multi-path and picture sparkles from impulse noise are a thing of the past. These problems often seen on a conventional television broadcast just do not occur on HDTV.

HD programming and films will be presented in 16:9 widescreen format (although films created in even wider ratios will still display "letterbox" bars on the top and bottom of even 16:9 sets.) Older films and programming that retain their 4:3 ratio display will be presented in a version of letterbox commonly called "pillar box," displaying bars on the right and left of 16:9 sets (rendering the term "fullscreen" a misnomer). While this is an advantage when it comes to playing 16:9 movies, it creates the same disadvantage when playing 4:3 television shows that standard televisions have playing 16:9 movies. A way to address this is to zoom the 4:3 image to fill the screen or reframe its material to 14:9 aspect ratio, either during preproduction or manually in the TV set.

The colors will generally look more realistic, due to their greater bandwidth. The visual information is about 2-5 times more detailed overall. The gaps between scanning lines are smaller or invisible. Legacy TV content that was shot and preserved on 35 mm film can now be viewed at nearly the same resolution as that at which it was originally photographed. A good analogy for television quality is looking through a window. HDTV offers a degree of clarity that is much closer to this.

The "i" in these numbers stands for "interlaced" while the "p" stands for "progressive". With interlaced scan, the 1,080 lines are split into two, the first 540 being "painted" on a frame, followed by the second 540 painted on another frame. This method reduces the bandwidth and raises the frame rate to 50-60 per second. A progressive scan displays all 1,080 lines at the same time at 60 frames per second, using more bandwidth. (See: An explanation of HDTV numbers and laymens glossary)

The "i" in these numbers stands for "interlaced" while the "p" stands for "progressive". With interlaced scan, the 1,080 lines are split into two, the first 540 being "painted" on a frame, followed by the second 540 painted on another frame. This method reduces the bandwidth and raises the frame rate to 50-60 per second. A progressive scan displays all 1,080 lines at the same time at 60 frames per second, using more bandwidth. (See: An explanation of HDTV numbers and laymens glossary)

Dolby Digital 5.1 surround sound is broadcast along with standard HDTV video signals, allowing full surround sound capabilities. (Standard broadcast television signals usually only include monophonic or stereophonic audio. Stereo broadcasts can be encoded with Dolby Surround, an early home video surround format.) Both designs make more efficient use of electricity than SDTV designs of equivalent size, which can mean lower operating costs. LCD is a leader in energy conservation.